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Description
And here's a slightly unflattering end (done on a rushed all-nighter)
Hope you enjoyed it! If you have any feedback, I'd be glad to hear it! Just be nice, if you can!
materials: watercolor paper, prisma markers, blue micron pen
Hope you enjoyed it! If you have any feedback, I'd be glad to hear it! Just be nice, if you can!
materials: watercolor paper, prisma markers, blue micron pen
Image size
500x886px 431.69 KB
© 2010 - 2024 puchiko2
Comments8
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Overall this comic is well put together. The story is told with hardly any confusion as to what's going on. It is an interesting take on a typical story and I quite like that. I feel if words were added to this it would take that away.
You took into consideration the composition not only of each panel but the layout of each page, which is one of the crucial aspects of comic making. Some panels were close to taking the rule of thirds away, but you did just enough to keep it in place. Although personally I don't find dead-center material to be so bad (as everyone claims them to be), but too much can be disruptive of the flow you try to create on each page in each panel. Even so, you have to be careful. This page for example, is border line in it's centred approached. When it's close like that it makes me want to move it right smack in the middle or further away from it just so that sense of liminality is dissipated. There were a few other pages like that. Really that's the only thing you gotta watch for. If you want the distinction to be there then be bold and do it.
You did your thing and kept a limited colour palette, which you do so skillfully, with or without thinking about it. Nothing clashes and when you wanted to bring something out you knew exactly how to do it. Your colouring technique is consistent throughout and that is wonderful. No problems there either.
The ending isn't as bad as you may seem to think. The overturned photograph introduced in the beginning is a really subtle, yet creative way to end this. Combining it with her expression solidifies the conclusion.
This was a well thought out comic. I enjoyed every bit of it. Keep up the great work.
You took into consideration the composition not only of each panel but the layout of each page, which is one of the crucial aspects of comic making. Some panels were close to taking the rule of thirds away, but you did just enough to keep it in place. Although personally I don't find dead-center material to be so bad (as everyone claims them to be), but too much can be disruptive of the flow you try to create on each page in each panel. Even so, you have to be careful. This page for example, is border line in it's centred approached. When it's close like that it makes me want to move it right smack in the middle or further away from it just so that sense of liminality is dissipated. There were a few other pages like that. Really that's the only thing you gotta watch for. If you want the distinction to be there then be bold and do it.
You did your thing and kept a limited colour palette, which you do so skillfully, with or without thinking about it. Nothing clashes and when you wanted to bring something out you knew exactly how to do it. Your colouring technique is consistent throughout and that is wonderful. No problems there either.
The ending isn't as bad as you may seem to think. The overturned photograph introduced in the beginning is a really subtle, yet creative way to end this. Combining it with her expression solidifies the conclusion.
This was a well thought out comic. I enjoyed every bit of it. Keep up the great work.